Our Leading Album of the Year: The Artist's Lux Takes the Premier Position.
On the surface, Lux might appear more like an arduous scholarly challenge rather than a new pop album from an artist whose previous single featured an international pop icon. Divided into 4 separate sections and sung in thirteen tongues, it is a breathtaking classical-tinged album investigating female mystery, spiritual transcendence, and bodily change, frequently by way of the prism of different female saints. The end of a love affair—a theme treated with grounded honesty on another major 2025 album—soars heavenward here, supported by the constant sound of a full symphony orchestra and contributions from an award-winning composer within a vast roll call of collaborators. Its sheer audacity alone makes the efforts of other pop stars seem rather modest.
Rising Above Academic Exercise
That this album manages to avoid overly academic chin-stroking feels nearly a miracle, with complete credit belonging to Rosalía. Although this is not her first album to alchemize the past with modern styles, its stakes feel far greater on Lux, with the tightrope walk far more precarious. The element that really elevates this fourth release, beyond its multilayered melodies, dense arrangements, and engrained theatricality, is a core spirit of fun. Similar to the iconic artist at her height, you find a wondrous sense to the vocalist's voice that pulls the listener into its tornado. Even when she's tearing hearts in two, you nevertheless desire to be alongside her for the journey.
A Signature Example of Exuberance
That exuberant spirit shines clearly on the stunning piano-led ballad about a saint. It luxuriates in a sorrowful whirlpool for several moments. Suddenly, all the music drops silent, and there's a spontaneous laugh followed by a declaration before a hilariously exaggerated orchestral crescendo thuds in like comedic force. The song immediately shifts to the frenetic track featuring galloping strings, a powerful choral group, and a cameo appearance from the artist herself.
"The magic with Lux lies in the listener never quite understand—or even want to know—where you is going next."
Nearly every track concludes in a totally different point than where it began. One moment explores the transient trappings of fame over a delicate orchestration only to collapsing into digital cacophony. Elsewhere, a song that recalls the artist's previous rhythmic style begins off dark and brooding, featuring menacing beats, before fluttering traditional rhythms and a heavenly chorus arrive to smooth its rough edges.
The Balance Between Experiment and Accessibility
A key balancing act on the album involves navigating the line between radical innovation and broad accessibility. This is no surprise that the album has achieved her first work to break into the Top 5 of key markets: at its core a collection of truly undeniable pop songs. A song performed entirely in the English language swells on a chorus that feels to collect more and more infectious melodies as it spirals skyward. That trick gets echoed on a different expansive track that expands and constricts, intertwining multiple melodies like an intricate tapestry.
- A waltz-like song charms via its playful, Disney-adjacent drama and a chant-along chorus.
- Lyrically, it aligns with cultural honesty of contemporary breakup songs, lambasting an ex- partner described as an "emotional bully".
- Throughout the album, the singing have a painted-on smile, akin to a fairy-tale figure concealing a knife: "Top prize in acting like a scoundrel / You have the podium of disappointment."
A Maximalist Feast for the Ears
This album is pop on a grand scale, an ambitious grasp for capital-A Art in an era of impending artificial blankness. It eschews solipsism in favor of sublime elevation, crafting an over-the-top spectacle that masterfully manages its built-in excess. It is an abundant well of hidden gems that takes time to fully mine but doesn't seem like hard work. Where other major releases of 2025 seemed like feasting on scraps, this record is a lavish banquet at which the characters at the table, some tipsy on holy drink, flutter between conversations about historical figures, the galvanizing sensation of heartbreaking grief, and common gossip about hopeless partners. In essence, it's a modern-day theatrical production from pop's truly restlessly creative visionary.